In the past three posts I’ve reviewed where I’ve been and how I got where I am now, and two of my big passions (Hebrew and the Hebrew Bible). However, all of that ought to seem obvious considering that I’m in the MAOT here at GCTS. Eventually, I’m going to have to narrow down the field to specific areas within or relating to the Hebrew Bible that interest me the most. This is where the fun really begins, as while I have a vague idea of topics that I’m interested in, I haven’t quite pinpointed my list of so-called “research interests” yet. Identifying these, of course, will be of great help on a Ph.D application, thinking about what I might want to do a dissertation, choosing schools to apply to that have faculty that may best line up with my interests, and even for the here and now, knowing what books I should focus on and hey - even what seminars to attend at the national SBL conference this fall!
As with anything, it’s better to start broad and narrow down to the more specific. So, vague areas of interest that I already know about?
1. How ANE mythology and “worldview” is used in/influenced the writing of the HB
2. Lament
3. The latter prophets
4. Some twisted form of canonical criticism
I’ll break these down into subcategories based on the implications of the broad category.
1. The primeval history; the divine council; pagan deities/mythological creatures; Canaanite, Mesopotamian, and Egyptian religious practices, beliefs, and cosmology; ANE literature/genre
2. Lament psalms, Job, Jeremiah, Lamentations, etc. etc…
3. Self-explanatory - but there are of course more than one way to break them down: minor prophets, major prophets, apocalyptic, directed toward Israel/Judah, directed toward gentiles, narrative (Jonah, portions of Isaiah, etc.)
4. Meaning: I care less about source criticism and more about what the final form that the text ended up in. Genre, literary devices, organizational purposes. Why did the final redactor/editors piece the book together in such a way (rather what where did the pieces come from)? Perhaps this might even delve into some Old Testament theology.
So what does all that mean? I can tell you right now: the use of mythology is high on my list. I favor especially the primeval history, appearances of the divine council, and other ANE mythological allusions. I’m interested in other areas of parallel as well, such as law and kingship, but the mythological aspects are especially exciting to me.
Lament: why? It’s a lost art form. It goes hand-in-hand with my love for the Church. Besides that, it can be theologically challenging and very practical.
Prophets: I’m more interested in the prophets who direct their speeches toward Judah and Israel than the others, probably more so the minor prophets than the major, with the exception of Jeremiah, which I just love, and mythological allusions in Ezekiel and Isaiah.
Canonical criticism: what can I say, it’s baggage from the fact that I believe ultimately the Bible is inspired in some fashion. I don’t know what “original autograph” means, so there is nothing left for me but the final form - if we have it like that, why? What was the purpose of the author or editor in putting two contradictory accounts together? We may theorize that the epilogue and prologue to Job may have been added later, but what is the message of the book with those additions? We dip dangerously into theology here: but I’m okay with that as long as it’s not systematic.
So there are some thoughts for today!